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John Michael Wright
The Family of Sir Robert Vyner seated before the garden at Swakeleys
mk190
Middlesex
1673
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John Michael Wright
unknown scottish chieftain, c.
1660
edinburgh,national portrait gallery
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John Michael Wright
Painting by John Michael Wright of Catherine Cecil and James Cecil,
Painting by John Michael Wright (1617?C1694) of Catherine Cecil and James Cecil, later 4th Earl of Salisbury.
1669(1669)
cjr
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John Michael Wright
Catherine and James Cecil
English: Painting by John Michael Wright (1617-1694) of Catherine Cecil and James Cecil, later 4th Earl of Salisbury.
Date 1669
cyf
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John Michael Wright
James Cecil by John Michael Wright
English: Painting by John Michael Wright (1617-1694) of Catherine Cecil and James Cecil, later 4th Earl of Salisbury: detail, James Cecil only.
Date 1669
cyf
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John Michael Wright
Portrait of Mrs Salesbury with her Grandchildren Edward and Elizabeth Bagot Oil on canvas
June 1675(1675-06)
cjr
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John Michael Wright
Portrait painter
1589
cjr
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John Michael Wright
Elizabeth Claypole
1658(1658)
cjr
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John Michael Wright
Charles II of England in Coronation robes
cjr
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John Michael Wright
The Ladies Catherine and Charlotte Talbot
1679(1679)
cjr
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John Michael Wright
Sir Neil O'Neill
1680(1680)
cjr
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John Michael Wright
Lord Mungo Murray
c.1683
cjr
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John Michael Wright
Wright's Duchess of Cleveland
cjr
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John Michael Wright
Lely's Duchess of Cleveland as the penitent Magdalen
cjr
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John Michael Wright
Portrait of a Lady, thought to be Ann Davis, Lady Lee
1617-94
cjr
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| John Michael Wright
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English Baroque Era Painter, ca.1617-1694,was a British baroque portrait painter. Wright trained in Edinburgh under the Scots painter George Jamesone, and acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca, and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655. He took up permanent residence in England from 1656, and served as court painter before and after the English Restoration. A convert to Roman Catholicism, he was a favourite of the restored Stuart court, a client of both Charles II and James II, and was a witness to many of the political manoeuvrings of the era. In the final years of the Stuart monarchy he returned to Rome as part of an embassy to Pope Innocent XI. Wright is currently rated as one of the leading indigenous British painters of his generation and largely for the distinctive realism in his portraiture. Perhaps due to the unusually cosmopolitan nature of his experience, he was favoured by patrons at the highest level of society in an age in which foreign artists were usually preferred. Wright's paintings of royalty and aristocracy are included amongst the collections of many leading galleries today.
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